This section of the poem from Lord Byron, Childe Harold’s Pilgrimage, speaks to me deeply and resonates with my Autistic experience of meaning as something felt, sensed, and lived through, especially in solitude, sensory immersion, and more-than-human connection.
There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society where none intrudes,
By the deep Sea, and music in its roar:
I love not Man the less, but Nature more,
From these our interviews, in which I steal
From all I may be, or have been before,
To mingle with the Universe, and feel
What I can ne’er express, yet cannot all conceal.
Lord Byron, Childe Harold’s Pilgrimage, canto iv
Autistic meaning-making is not abstract, but an embodied attunement, a “mingling with the Universe” that resists neuronormative expression yet pulses with emotional and sensory intensity.
As Erin Manning wrote, “Autistics…are hypersensorial, alive not only to the presence of the other, but more importantly, to the absence of category. They live the differential, feeling into the world’s quality of emergence. Bodying, for them, is worlding.”
Autistic experience often resists the default social scripts and expected ways of making sense of things, our thoughts are less linear, more constellation-y and rhizomatic. They may appear chaotic and not always make sense to others as the connections are happening deep inside us.
Meaning for me, often arises between things, in the liminal spaces, in the felt sensory and emotional moments, a subtle change of a sound, the shifting pattern of sunlight on leaves and my relationship with living things that don’t speak in human words, and also a more natural attunement to people who also can’t or prefer not to speak verbally.
Like Lord Byron’s “rapture on the lonely shore,” the Autistic sense of meaning-making may emerge most powerfully in the absence of human intrusion, words and voices, not from isolation, but from a deep, open presence with what is. It is why we may crave time alone, in our dens, out in nature, fully immersed in stimming activities and other forms of communication and connecting online. Alone time is so often stigmatised as being antisocial, but it is a different kind of sociality, and may be more meaningful for many Autistic people and is something to value and allow ourselves the time to lean into in what ever way we want and helps us feel good. It may be less about escaping and more about finding belonging in other ways and belonging otherwise.
Autistic people often experience a heightened resonance and connection with our environment, this may not always be with people, but with animals, objects, places, atmospheres and sensory experiences. This is not a deficit of sociality, but perhaps a re-routing of relational (monotropic) attention toward the more-than-human, an ethodivergent way of being. (Ombre Tarragnat, 2025)
I have written extensively about liminality, the in-between spaces where many Autistic people feel they may be stuck, but I think it is in these liminal spaces and states, where our bodyminds “mingles with the Universe,” that we can find a quiet calm that helps regulate, bring comfort and a meaning that allows us to emerge from the liminal or delight in the dwelling moments of the unspoken between realms. It is in liminality that Autistic perception becomes a kind of aesthetic felt knowing. It may not be easily verbalised or put into human words, “what I can ne’er express” but it is real, it emerges and can be captured in art, poetry and nature, in our online community spaces and is valid.
“There is society where none intrudes”.
“There is pleasure in the pathless woods” when we diverge from neuronormative expectations and follow our inner compasses.
Allowing ourselves to feel, wholly and completely and merge with our environment is a way of creating our own language, a bodymind way of being that doesn’t rely on human words and can be felt and understood in other ways………we need to create our own worlds, reworld, neuroqueer – so we can survive together in a world dominated by neuronormativity and find our own place of belonging.
Sharing early morning thoughts after having read more of Erin Manning‘s beautiful work last night ‘A Feel for Others Feeling You‘ (2025), about challenging normative orientations around the concept of mirror-touch synaesthesia and touch (inspired by the DeafBlind Protactile community and work of John Lee Clark).
“To feel the touch of the world is to feel the difference the world brings to all it comes into contact with, and this contact cannot be separated from all that worlds. To be a body is to be in contact. To touch is to feel the differential.”
(Erin Manning, 2025)
Thoughts welcome – I am hoping to set up an alternative space to explore through Autistic Realms into More Realms to share, discuss and collaborate on things like this with anyone who is interested alongside CASY Cultural Autism Studies at Yale and Stimpunks communities.
Ocean Waves
Listen to Ocean Waves by Adriel Jeremiah Wool:
“Ocean Waves by Adriel J Wool” is a meditation in ambient flow states. Introduced with a special tuning that allows the brain to touch and feel more true pythagorean intervals of musicality.
The flows and textures of nature follow patterns that resonate with the human body through its ability to hear sound.
The nervous system is a microcosm, however it relates in scale to the power of nature, and is comforted within her crests.
To breathe more slowly and more deeply. The sound spectrum is given in the powerful release of deep sound energy, very much like the Earth’s beautiful shores.”
“Ocean Waves by Adriel J. Wool isn’t a recording of the ocean, it’s a fractal composition of the nature of the ocean. Modulated into swells, the rhythm evokes the massive release of great ocean waves and the more humble release of the human breath“.
Ryan Boren (Stimpunks)