Music: Composed and played by my son, age 12. Published by Quench Arts, Wavelength 10th Anniversary (2023-24).
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Welcome to More Realms…..
You’ve arrived beyond Autistic Realms, which is the space where I share grounded, practical support for families, educators, and those navigating Autistic ways of being.
Here in More Realms, things are looser,
weirder, more speculative.
This is not a place of conclusions or answers, it’s a place to wander, to feel, to think sideways, expand, explore and be inspired.
To deep dive monotropically into other ways of understanding and experiencing the world.
To neuroqueer, to dwell, and discover more possibilities.
Somewhere in the margins, another realm unfolds……..
More Realms is a space for those who move through spiral time with tangled and textured bodyminds. It is a space where we can explore Deleuzean-inspired neuroqueer, post-humanist, neuro-holographic and ethodivergent ideas together.
I write monotropically through:
Felt time — spirals, slowness, entanglements.
Liminal embodiment — perception, sensory knowing, other more-than-human ways of experiencing and perceiving the world.
You’re welcome here, whether you’ve come from Autistic Realms or stumbled in through another liminal space.
There is no map, but there are threads, glimmers, and soft, weird spaces to explore…
Latest Posts
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From the Edge of the Gyre: Yeats, Symphrenia and the Centre that Cannot Hold
An Autistic ADHD, symphrenic reading of Yeats’s “The Second Coming”: why the centre cannot hold, and how community without a centre can hold us instead.
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Betwixt Wall & Window: Neuroqueering from the Liminal & Hiraki Sawa’s art
Tired, fragmented and looping, I found my experience of Autistic burnout in a ghostly figure from Hiraki Sawa’s silent video Souvenir IV. This piece follows her through hauntology, plurality and the neuro-holographic self, into the liminal space between wall and window.
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queering.earth
queering.earth Queering readings of literature, poetry, art, people and history. A collaboration between Helen Edgar and Ryan Boren, Stimpunks Foundation
Music: Prelude to the Shadows with the welcome reel, and all four of his pieces under the reel. Composed and played independently by Helen Edgar’s son, age 11. Published by Quench Arts in Wavelength 10th Anniversary (2023–24). For more information about the Wavelength project or Quench Arts, please see: www.quench-arts.co.uk