The voice is a computer copy of Helen Edgar’s voice.
Other ways to listen: turn on text-to-speech in your browser.
Music: Composed and played by my son, age 12. Published by Quench Arts, Wavelength 10th Anniversary (2023-24).
Read the transcript of the welcome reel (text file).
The music is off. Press Music to fade it in; press again to fade it out.
Listen to the full track here:
The voice is a computer copy of Helen Edgar’s voice.
Welcome to More Realms…..
You’ve arrived beyond Autistic Realms, which is the space where I share grounded, practical support for families, educators, and those navigating Autistic ways of being.
Here in More Realms, things are looser,
weirder, more speculative.
This is not a place of conclusions or answers, it’s a place to wander, to feel, to think sideways, expand, explore and be inspired.
To deep dive monotropically into other ways of understanding and experiencing the world.
To neuroqueer, to dwell, and discover more possibilities.
Somewhere in the margins, another realm unfolds……..
More Realms is a space for those who move through spiral time with tangled and textured bodyminds. It is a space where we can explore Deleuzean-inspired neuroqueer, post-humanist, neuro-holographic and ethodivergent ideas together.
I write monotropically through:
Felt time — spirals, slowness, entanglements.
Liminal embodiment — perception, sensory knowing, other more-than-human ways of experiencing and perceiving the world.
You’re welcome here, whether you’ve come from Autistic Realms or stumbled in through another liminal space.
There is no map, but there are threads, glimmers, and soft, weird spaces to explore…
Latest Posts
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The Bodymind
Where does the word bodymind come from? Helen Edgar and David Gray-Hammond trace it from Ken Dychtwald’s 1977 book to Margaret Price’s disability studies, and why the full lineage matters.
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Grunya Sukhareva: The Woman Who Saw Us First
In 1925, almost twenty years before Kanner and Asperger, Grunya Sukhareva wrote the first detailed clinical account of what looks a lot like autism, and in 1927 she described Autistic girls. Why don’t we know her name?
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The Body Without Organs: Deleuze, Guattari and Neuroqueering
What is a Body without Organs? In this post from my Neuroqueering Deleuze series, I read Deleuze and Guattari’s A Thousand Plateaus through Autistic lived experience: plateaus and rhizomes, the egg, minor gestures, burnout and neuroqueering, and how we might come undone carefully, together.
Music: Luminescent Nocturne with the welcome reel, and all four of his pieces under the reel. Composed and played independently by Helen Edgar’s son, age 12. Published by Quench Arts in Wavelength 10th Anniversary (2023–24). For more information about the Wavelength project or Quench Arts, please see: www.quench-arts.co.uk